NEW Review of "I Heard The Bells" by Bill Binkelman at NewAgeReporter.com.
Dec, 2008
Link
to review - NewAgeReporter.com - (Dave
says: It's like Christmas twice in one year! Thank you, Bill!)
NEW Review of "I Heard The Bells" by Kathy Parsons at MainlyPiano.com.
Dec, 2008
Link
to review - MainlyPiano.com - (Dave
says: My holiday wishes have been granted with this review. Thank you, Kathy!)
Review of "Pieces of Piano" at Muse's Muse website.
Oct, 2006
Link
to review - Muse's Muse - (Dave
says: I am always happy to get a positive review from another keyboardist. Thank you JJ!)
Interview at Healthy Hearing website
April, 2006
Link
to interview - Healthy Hearing - (Dave
says: A great new experience for me, and I was thrilled to be interviewed!)
Review of "Pieces Of Piano" at
KFAI FM
March, 2006
Link
to review - (Dave
says: Thank you Bill! And the rest of you, catch Wind & Wire on KFAI
FM!)
Review of "Pieces Of Piano" at Mainlypiano.com
December, 2005
Link
to review - Mainlypiano.com - (Dave
says: My first "Pieces" review... and I couldn't be happier!)
Special
reviews by 3 young boys who attended one
of my concerts.
Article
about Dave in the Midway/Como Monitor
January, 2005
large
jpg file showing the article
Review
of "Piano For Both Ears" at Mainlypiano.com
October, 2004
Link
to review - Mainlypiano.com - (Dave
says: Thank you, thank you, thank you!)
Review from Gods Of Music of "Empty
Well" from "Piano For Both Ears"
September, 2004
Read the review. for David Alstead from
GodsofMusic.com
(Dave says: This is a
fantastic review from someone who really seems to understand my music. I
was completely overwhelmed when I read it. Thank you Bill Wright!)
Dave and "Piano For Both Ears"
featured in Keyboard Magazine
September, 2004
After listening to a whopping 22 records in search of this
month's "Unsigned Artist", the one that stood above all others
was Piano For Both Ears, by David Alstead of St. Paul, Minnesota. The
all-acoustic-piano work was written and performed by the artist. The
style may be loosely described as early romantic, with voicings and
fills of the kind made popular by Schubert and Chopin being put to good
use. Alstead weaves jazz harmony into that structure, however, and
there's enough variation from track to track to provide continuous
interest. He also demonstrates both staccato and legato playing,
avoiding the all-too-common foible of excessively riding the sustain
pedal. Most importantly, the composition is fresh and pretty --
delivered on a well balanced recording, you have a winner. For more on
Alstead, visit www.davidalstead.com.
-- Carl Lumma, Keyboard Magazine
(Dave says: I appreciate it Carl, and thanks Keyboard! Everyone go
buy a copy of the issue!)
Review of "Piano For Both Ears" at
Splendidezine.com
August 30, 2004
Splendidezine.com
- Splendid Ezine is stopping publication at the end of 2005.
I have re-printed the review so that is can remain available. (Dave says: Everyone needs a review that says some good
things, but does not fawn all over you - this is the only one, though,
ok? haha!)
Review of "Piano For Both Ears"
February, 2004
All the keywords a critic might use to describe good music come
to mind but, to be original I would say: This CD should have come with a
warning label. "CAUTION, May invoke strong emotion."
Todd Williams, Minnesota
- (Dave says: Thanks Todd, I'm glad you enjoyed it!)